sábado, 23 de abril de 2016

Who Is the Secret Narrator of Star Wars?

George Lucas explains the voice behind the original Star Wars trilogy, adding an interesting dynamic to the stories.

Who Is the Secret Narrator of Star Wars?
1977's Star Wars: Episode IV - A New Hope broke new ground in more ways than one, dazzling fans with these stories set "a long time ago in a galaxy far, far away." The opening crawl from this original classic became a hallmark of the franchise, with the scrolling text setting up the adventure that would follow on the big screen. As it turns out, though, the opening crawl text from all the Star Wars movies actually comes from a narrator, who until now, was anonymous.
In 2014, Chris Taylor published a book dubbed How Star Wars Conquered the Universe: The Past, Present, and Future of a Multibillion Dollar Franchise, where the journalist delves through the history of this multi-billion dollar franchise. The author reveals in his book that, on the set of Star Wars: Episode III - Revenge of the Sith, franchise creator George Lucas revealed what he called his "ultimate framing device" to animation director Rob Coleman, after he arrived for his first day of work. Here's an excerpt from the book, available on Amazon, which reveals who the Star Wars narrator really is.
"The entire story of Star Wars is actually being recounted to the keeper of the Journal of the Whills-remember that?-a hundred years after the events of Return of the Jedi by none other than R2-D2."
The Journal of the Whills was originally conceived as a plot device that would have connected the Star Wars galaxy to the "real world," although that idea was ultimately scrapped. In Star Wars lore, The Journal of the Whills was a record of all the events that transpired in the galaxy, which was recorded by a secret organization known as the Ancient Order of the Whills. The Journal was first mentioned in the novelization of A New Hope, and the novelization of Star Wars: The Force Awakens actually opens with the following quote from the Journal.
"First comes the day Then comes the night. After the darkness Shines through the light. The difference, they say, Is only made right By the resolving of gray Through refined Jedi sight. ― Journal of the Whills, 7:477[src]"
It's not terribly surprising that R2-D2 is the narrator, since this beloved droid is one of the few characters who is in all seven movies. The book points out that Artoo is also "fully formed" in Star Wars: Episode I - The Phantom Menace, unlike C-3PO, and R2 doesn't have his memory erased like C-3PO did at the end of Star Wars: Episode III - Revenge of the Sith. What isn't known is if this narrator tradition will carry over into the new movies.
While R2-D2 certainly is present in Star Wars: The Force Awakens, he is largely inactive for most of the movie, until the very end when he springs to life after being presented with the rest of the map to Luke Skywalker's whereabouts from BB-8. Since R2 wasn't exactly around to see all of the events transpire in Star Wars: The Force Awakens, perhaps BB-8 could serve as the new "narrator" for this trilogy. It's also worth noting that Star Wars: The Force Awakens is set 32 years after Return of the Jedi, which means there is 68 years in between that movie and R2-D2's recounting of the whole saga to the Journal keeper. We don't know if there are any plans for this new trilogy to catch up with R2-D2's narration, but we'll have to wait and see.

martes, 19 de abril de 2016

‘Star Wars: Episode VIII’ Brings Back the A-Wing Fighter

New photos from the ‘Star Wars 8’ set confirms that the A-Wing Fighter ships will be used in this highly-anticipated sequel.

‘Star Wars: Episode VIII’ Brings Back the A-Wing Fighter
Ever since production on Star Wars: Episode VIII began back in February, fans have been treated to a number of photos from the set. Most recently, Mark Hamill shared a photo where his co-star Daisy Ridley was giving him a piggyback ride, an image reminiscent of Luke Skywalker's Jedi training where Yoda was strapped to his back. Today we have even more images from Twitter user Ali Arkan, which confirms that the iconic A-Wing Fighter ship from the original trilogy will be used in Star Wars: Episode VIII.
The photos surfaced online after British royalty Prince Harry and The Duke of Cambridge recently visited the set at Pinewood Studios in the U.K., where the A-Wing ships were spotted. The A-Wing ships were first introduced in Star Wars: Episode VI - Return of the Jedi, which were described as the fastest starships in the galaxy, and they were later seen in the animated TV series Star Wars Rebels. The ships appeared in several of the Expanded Universe novels and video games that surfaced after the original trilogy hit theaters, and now it seems we'll see them yet again in Star Wars 8.
Naturally, since there is virtually nothing we know about the story thus far, it isn't known how these ships may be used, or how prominent they will be in this story. The A-Wing was originally pitched for Return of the Jedi as a blue ship, but the color scheme didn't work with the blue screen photography used in the film, so it was changed to red. This A-Wing used in Star Wars: Episode VIII is believed to be a new version that evolved from the original design.
Actors such as Daisy Ridley, John Boyega and Mark Hamill are seen in these set photos along with Prince Harry, who actually got to sit in the A-Wing cockpit during his visit. We don't know for sure if Daisy Ridley's Rey, John Boyega's Finn or Mark Hamill's Luke Skywalker will actually get to pilot these ships, but they will certainly provide an advantage in their battle against the First Order. Hopefully we'll have more details about these ships as production continues at Pinewood Studios.
Rian Johnson is directing Star Wars: Episode VIII from his own script, with Disney and LucasFilm setting a December 15, 2017 release date. Before this adventure hits theaters, fans will get to see the first Star Wars spinoff, Rogue One, in theaters December 16. While we wait for more details about this ship and the plot itself, take a look at the new set photos below.

Princes William and Harry visit Star Wars set

domingo, 17 de abril de 2016


Disney Starts Work on Star Wars Land, Debuts First Glimpse



Courtesy of Disney

Disney officially broke ground Thursday at Disneyland on its “Star Wars”-themed attractions, which will also be installed at Hollywood Studios at Disney World, and the company celebrated the milestone by sharing a 360-degree video of the 14-acre space that Disneyland has designated for the project.
The footage, which is essentially a pan of a construction site, was digitally altered to include robots, X-wing fighters, walkers, androids and Stormtroopers.

Disneyland Star Wars Landing Grounbreaking

“In these all-new lands, guests will be transported to a never-before-seen planet inhabited by humanoids, droids and many others,” read a post on the Disney Parks blog. “Star Wars-themed lands will be the largest ever single-themed land expansions at Disneyland Resort and Walt Disney World Resort.”
Disney first broke the news of the “Star Wars”-inspired installations last August.  In the initial announcement, Disney chief Bob Iger revealed that the expansion would include two signature attractions, including a ride where fans can operate the Millennium Falcon “on a customized secret mission,” and an experience that drops visitors into “a climactic battle between the First Order and the resistance.”
Disney has yet to release an opening date for the “Star Wars” attractions.

sábado, 16 de abril de 2016

Original ‘Star Wars’ Script Let Obi-Wan Kenobi Live

Chewbacca actor Peter Mayhew shares pages from the original ‘Star Wars’ script that show Obi-Wan survives his lightsaber duel with Darth Vader.

Original ‘Star Wars’ Script Let Obi-Wan Kenobi Live
Had Obi-Wan Kenobi lived through his climactic lightsaber duel with Darth Vader in A New Hope, we might be looking at a completely different franchise. And that was the idea in George Lucas's original draft for Star Wars. Eventually, this would change, and the death of Kenobi would become a pivotal turning point for Luke Skywalker. But that wasn't always the fate and destiny laid out for these iconic characters.
We learn this in the latest script pages shared by Chewbacca actor, Peter Mayhew on Twitter. For the past couple of months, Mayhew has been sharing the first draft of George Lucas' seminal screenplay, which is quite a bit different from what actually made it to the screen in Star Wars: Episode IV - A New Hope. And letting Obi-Wan Kenobi live is one of the biggest changes of all. You can read the three script pages below in their entirety.
In this version of the story, Obi-Wan avoids Darth Vader's death strike, and is instead aided by Luke Skywalker in fleeing the Death Star. Yes, Kenobi will live to see another day. And it would have drastically changed everything from this moment on. And Star Wars history wouldn't be what we know it today. Not only does Luke's destruction of the Death Star become rendered less powerful, their is no soul searching for the young Jedi, and the Yoda subplot becomes moot. This, in turn, would radically alter a great big chunk of The Empire Strikes Back. And what about Luke's training? Would he have two Jedi Masters? Would Kenobi continue to show him the ways of the Force? It's possible we'll never know.
Having Old Ben killed before the third act of the movie was a masterstroke by George Lucas, and gave the movie a great twist. It also introduces the idea of a Force Ghost, which has become an important part of Star Wars lore. Losing Ben Kenobi greatly ups the stakes. Some speculate that George may have made this big change to appease Sir Alec Guinness, who was not happy with the way things were going on set. The actor may have seen the potential for more sequels, and the director graciously gave him a way out that made for a better movie? Perhaps.
Having Ben Kenobi survive is a great 'What If?' And it's one that fans will surely ponder for years to come. We'll never know what might have become of Luke Skywalker and his training had he remained under the tutelage of Obi-Wan. We all saw what happened to his Padawan Anakin. Would Kenobi have failed from keeping Luke away from the Dark Side as he did Darth Vader? You can continue reading the original script pages below. When the screenplay reaches its conclusion, Peter Mayhew promises a big surprise. So stay tuned.

miércoles, 13 de abril de 2016

Original ‘Star Wars’ Trilogy Returns to Theaters This Summer

Tickets for the Original ‘Star Wars’ Trilogy screening event go on sale May 4.

Original ‘Star Wars’ Trilogy Returns to Theaters This Summer
It's "The Return of the Trilogy" as Alamo Drafthouse presents the original Star Wars Trilogy at venues across the country this summer. Tickets go on sale May 4th in honor of Star Wars Day! The "Return of the Trilogy" roadshow program will take audiences back to a galaxy far, far away with triple-feature screenings at more than twenty locations nationwide.
Alamo Drafthouse is so excited they could pull the ears off a gundark to announce they'll be bringing the original Star Wars trilogy to cities across the country this August with its epic "Return of the Trilogy" roadshow program. Star Wars: Episode IV - A New Hope, Star Wars: Episode V - The Empire Strikes Back and Star Wars: Episode VI - Return of the Jedi have long been out of release, locked up tight in the vaults. Now, an ultra rare opportunity will bring these beloved original classics of the Star Wars universe roaring across the big screen at movie palaces and performing arts venues from coast to coast.
Not only that, most will screen back-to-back-to-back as one galactic-sized triple feature, taking audiences from Luke's humble beginnings on Tattooine all the way through to the final climactic battle between the Rebel Alliance and the Galactic Empire in a single sitting. The Force, as they say, will be strong with us. Says Alamo Drafthouse's VP of Special Events, Henri Mazza.
"It's always been a dream to show the original Star Wars trilogy again - somehow, someway. Seeing the original trilogy on the big screen for the first time is a real life-altering event and just a supreme amount of fun. When the films became available to book for screenings like these, we jumped at the chance to do something big."
While many dates and locations are still to be announced, "Return of the Trilogy" screenings will take place at venues in over 20 cities throughout the month of August. All three of the films will be presented in their 1997 re-release format. Tickets for most markets will go on sale at ReturnOfTheTrilogy.com on May 4th, otherwise known as Star Wars Day: May the 4th Be With You.
More than just an epic triple-feature, each "Return of the Trilogy" show will be in its own unique celebratory event, featuring specially curated video content before and between films, contests, props to bring the power of the Force to life, and other special surprises. And coming dressed as your favorite Jedi, scoundrel pilot, or rebel scum will be very much encouraged.
The "Return of the Trilogy" Roadshow will be screening at the following locations: August 6 - San Francisco, CA / The Warfield, August 6 - Kansas City, MO / The Midland Theatre, August 6 - Washington, D.C. / Warner Theatre, August 6 - Los Angeles, CA / The Theatre at the Ace Hotel, August 6 - New York, NY / The Town Hall, August 6 - Miami, FL / Olympia Theatre, August 6 - San Antonio, TX  Majestic Theatre, August 7 - New York, NY / Kings Theatre, August 7 - Dallas, TX / Majestic Theatre, August 11 - Austin, TX / The Long Center for the Performing Arts (Ep. 4-A New Hope), August 12 - Austin, TX / The Long Center for the Performing Arts (Ep. 5-The Empire Strikes Back), August 13 - Austin, TX / The Long Center for the Performing Arts (Ep. 6-Return of the Jedi), August 13 - Philadelphia, PA / The Keswick Theatre, August 13 - Louisville, KY / Brown Theatre, August 20 - Oakland, CA / Paramount Theatre, August 27 - Boston, MA / The Boston Opera House, Date TBD - Houston, TX / Venue TBD Date TBD - Denver, CO / Venue TBD. Additional Dates and Locations To Be Announced at a later date.
For more info and to purchase tickets on sale May 4th, visit . Tim and Karrie League founded Alamo Drafthouse Cinema in 1997 as a single-screen mom and pop repertory theater in Austin. 19 years later, the now 23-location chain has been named "the best theater in America" by Entertainment Weekly and "the best theater in the world" by Wired.com. The Alamo Drafthouse Cinema has built a reputation as a movie lover's oasis not only by combining food and drink service with the movie-going experience, but also introducing unique programming and high profile, star-studded special events. Alamo Drafthouse Founder & CEO, Tim League, created Fantastic Fest, a world renowned film festival dubbed "The Geek Telluride" by Variety. Fantastic Fest showcases eight days of genre cinema from independents, international filmmakers and major Hollywood studios. The Alamo Drafthouse's collectible art gallery, Mondo, offers breathtaking, original products featuring designs from world-famous artists based on licenses for popular TV and Movie properties including Star Wars, Star Trek & Universal Monsters. The Alamo Drafthouse Cinema is expanding its brand in new and exciting ways, including Drafthouse Films which has garnered two Academy Award nominations in its short four-year existence and Birth.Movies.Death., an entertainment news blog curated by veteran journalist Devin Faraci.
Return of the Trilogy
Star Wars: Episode IV - A New Hope was released May 25th, 1977.
Star Wars: Episode V - The Empire Strikes Back was released May 21st, 1980.
Star Wars: Episode VI - Return of the Jedi was released May 25th, 1983.

martes, 12 de abril de 2016

Who's Playing Darth Vader in ‘Star Wars: Rogue One’?

Darth Vader will reportedly be played by a new actor in the first ‘Star Wars’ spinoff ‘Rogue One"
Who's Playing Darth Vader in ‘Star Wars: Rogue One’?
Now that we've finally experienced Star Wars: The Force Awakens on the big screen, which is set 32 years after Return of the Jedi, fans will get to explore a new story with the spinoff Rogue One. The plot is set between the events of Revenge of the Sith and A New Hope, centering on a group of Rebels plotting to steal plans for the first Death Star. Back in September, it was rumored that the iconic Darth Vader would return in a substantial role, which was never confirmed. Today, however, we have a new report from Flickering Myth that reveals who is really playing Darth Vader, and it's not who you might think.
While this report hasn't been confirmed, the site claims British actor Spencer Wilding has come aboard to play the iconic Sith Lord. Though, many believed Hayden Christensen might reprise the character. The site's source says Spencer Wilding was running lines on the set, which means that Darth Vader will have some dialogue in the movie. However, a report from January revealed that James Earl Jones will return to lend his voice to the iconic villain, like he did in the original trilogy and in the animated TV series Star Wars Rebels. It still hasn't been confirmed that Darth Vader is even in the movie, or if James Earl Jones will voice the villain, by anyone at LucasFilm or Disney.
Spencer Wilding is best known as a stuntman and an actor, who has had small roles on big-budget movies like Guardians of the Galaxy, Jupiter Ascending, Pan and Victor Frankenstein. If he actually is playing Darth Vader in Rogue One: A Star Wars Story, this will easily be his most high-profile role to date, although we still don't know exactly how large or small his role is quite yet.
We reported in January that the Darth Vader costume in Rogue One: A Star Wars Story is being meticulously recreated to match the Darth Vader seen in 1977's Star Wars: Episode IV - A New Hope. Inside sources claim that the costume is very close, and that the filmmakers, including director Gareth Edwards, are extremely happy with the outcome. Brian Muir, the original sculptor on the first Darth Vader costume, is said to have returned with his team. Hopefully we'll get confirmation about Darth Vader's role, and Spencer Wilding's casting very soon.
A report from January claimed that Darth Vader may have a bigger role in Rogue One: A Star Wars Story than originally believed. But it's possible that we may not get confirmation on Darth Vader's appearance until Rogue One: A Star Wars Story's December 16 release date. Disney and LucasFilm were incredibly secretive regarding Luke Skywalker's role in Star Wars: The Force Awakens, refusing to show the character in any of the marketing materials leading up to the December release. It's possible that the studio could be taking the same approach with Darth Vader. What do you think about this new Darth Vader rumor for Rogue One: A Star Wars Story?

lunes, 11 de abril de 2016

Star Wars: examining A New Hope’s classic opening shot

The opening of Star Wars perfectly illustrated the might of the Empire. Ryan looks at the making of the film’s classic shot...

We’re bathed in the inky blackness of space. The stars seem to sparkle as the camera tilts down, slowly, slowly, to the blue haze of a planet, its surface spanning off as far as the eye can see. John Williams’ music quietens to a murmur, allowing us just a moment to admire the serenity of the view before a ship - skinny and jagged - hurtles over the head, pursued by the sound of laser fire.
As Williams’ orchestra builds to a crescendo, another, unexpectedly huge shape looms into view. It’s our first ever glimpse of an Imperial Star Destroyer - a vast, skull-white battleship. The speed of its movement is vaguely reminiscent of a Great White shark on the hunt. Its shape recalls the tip of a spear.
For those of us too young to have seen Star Wars unfold on the screen for the first time ever in May 1977, we can only guess what it would have been like to see those opening shots for the first time. Sure, audiences had seen special effects in movies before - 2001: A Space Odyssey’s visuals were revolutionary - but Star Wars offered something else. Where A Space Odyssey was a psychedelic trip through the realms of evolving human experience as well as a trip through time and space, Star Wars was an old-fashioned tale of good and evil retold with then cutting-edge special effects.
Star Wars Episode 9 Will Be Shot on Film, Not Digitally, Director Confirms
Yet that opening shot was far more than merely a fancy special effect. Like all great cinema, it told acres of story without a word being spoken. A viewer could completely ignore the scene-setting scroll up of text and still get an idea of what Star Wars was about from that single image. The first ship, a Blockade Runner, is small and somehow ramshackle looking, its battery of huge engines strapped awkwardly to its narrow hull. The Star Destroyer, on the other hand, is gigantic and streamlined, like a huge sword honed to a fine point. It’s the perfect visual representation of the tiny rebellion pitched against the fascist might of the Empire.

Legend has it that audiences whooped and cheered when they first clapped eyes on those soaring vessels back in the 1970s. It’s arguable that the sequence helps set the tone for the entire film from both a visual and aural standpoint, bracing us for a galactic fairytale that is dramatic and faintly surreal.
What’s all the more remarkable about Star Wars’ first shot is that it was among the last to be completed.
Star Wars’ torturous path to the silver screen is well documented. The production went over schedule, over budget and hardly anybody particularly believed in it, from the increasingly testy cast and crew to some of the producers at Fox. George Lucas spent so long rewriting the script, directing, overseeing the construction of sets and miniatures and tussling with editors that he made himself ill. Meanwhile, Industrial Light & Magic was busy feeling its way through the process of making Star Wars’ effects shots, using techniques that were still relatively new at the time. The oft-told story is that ILM spent months producing four effects sequences which Lucas ultimately rejected, leaving the fledgling team with six months and half of their alloted $2m budget left to create the movie’s 300-or-so VFX shots.

Towards the end of those six months, however, ILM began to find its feet. John Dykstra’s use of computer-controlled motion cameras allowed for the precise compositing of multiple miniature effects shots, resulting in some of the fastest and most fluid VFX sequences yet seen. But as the release deadline loomed, Star Wars’ opening sequence still hadn’t been filmed. George Lucas knew what he wanted it to look like, alright, and indeed, artist Joe Johnston recalls that it was one of the first storyboards he drew when he was hired for the production in 1976.
“There was a script,” Johnston told Star Wars Insider in 2012. “I don’t really remember working from the script, but I recall sitting down with [John] Dykstra and having meetings, going over storyboards and shots. We were really just tossing ideas back and forth. [...] That whole opening sequence was really George’s idea; he knew exactly how he wanted it to work. I’m sure he must have played that sequence in his head 100 times, because when he was describing it, he knew precisely what it wanted it to look like.”
The big question was, how to execute this immensely complicated sequence? With time running out, visual effects supervisor Richard Edlund was growing increasingly nervous.

"We just kept talking about it and talking about it,” Edlund said, in Ian Failes’ book, Masters Of FX. “Initially, George was thinking we'd build a big model and truck the camera over it. But we didn't have enough track to do that. We were getting toward the end of production and we didn't have that opening shot and I just started worrying about it."
In order to create the illusion of a vast Star Destroyer, modelmaker Grant McCune encrusted the underside of the three-foot-long ship with dozens of tiny pieces of plastic - otherwise known as greebles, which give small objects the impression of scale. The fleeing Tantive IV Blockade runner, on the other hand, was built a mere four inches long, which just shows how successful ILM were in making the ships look like real, working craft.
When it came to filming the shot, meanwhile, Edlund made a very simple bit of technology - that is, a straightened paperclip - go a long way.
"I stuck the tiny Blockade Runner model on the underside of the Star Destroyer with a paperclip that was straightened out,” Edlund explained. “Then we had this 24mm lens that could go incredibly close to these models. I could tilt the lens and hold horizontal focus very well. I could basically scrape the surface of the model with the lens - the lens actually touched the surface of the model at a couple of points during the shot.”

When Edlund reviewed the footage the next day, he and his team were astounded at how effective the shot was. Indeed, this late success must have come as a huge relief, since Edlund rightly predicted that he’d just completed the most important part of the film.
“We were dumbfounded the next day,” Edlund said; “it was just amazing how well it worked. My thinking was that this is probably the most important shot of the movie - if we don't grab the audience with the beginning shot of the movie we're in trouble.”
Joe Johnston, who’d been instrumental in visualising George Lucas’ ideas, agrees that its sense of scale and weight was what sold Star Wars to an unfamiliar audience:
“It was such a great way to start a film and it caught the audience off-guard. Everybody thought, Oh, here’s a nice starfield and here’s a nice little planet. What’s going to happen? Is there going to be a nice little ship that comes in slowly. People were expecting a 2001 shot and then... it’s like the Indians attacking a stagecoach in space. That was a good example of forcing people to look at something: this gigantic thing coming overhead with very strong perspective lines. It was just a good design.”
The Star Destroyer opening to Star Wars was so effective that it would, of course, be riffed on over and over again at the start of every film that followed, from the probes descending to Hoth in The Empire Strikes Back to the new First Order Star Destroyers in The Force Awakens.
Nearly 40 years on, the after effects of Star Wars’ classic opening shot are still being felt.



       The greatest Star Wars lightsabers in the world are built by fans

We go on the search for the ultimate Skywalker saber




I’m in a suburb 30 miles outside of Sacramento, California, and Yoda’s teaching me how to fight with a lightsaber.
In this particular case, Yoda is the online nickname for Michael Murphy, a 43-year-old artist that makes his living building high-end custom lightsabers — including the ones we’re using — but that doesn’t make the lesson any less intense. I step forward, my blue blade cutting through the air with an unmistakeable thrumm. My blow is easily parried, our sabers clashing hot white. He pivots, blade twirling behind his back as he executes a 360-degree spin that I’m pretty sure I’ve seen Ewan McGregor pull off.
He swings straight for my head, and as I bring my saber up to block I can’t help but think two things: This is probably what Daisy Ridley felt like, and I have to get me one of these.

"I guess somewhere deep down I always wanted to be a toymaker," Murphy tells me across the island in his kitchen. Except for the rack of lightsabers by the couch and the detailed blueprints and sample materials sitting on the counter, it feels like any suburban home in America. "Even though I originally wanted to build cars, those are just big toys. More dangerous. More money." His eyes shift mischievously, and he laughs. "This is something that’s much more unique."
Unique doesn’t even begin to cover it. For the past 10 years, Murphy’s made his living building LED-powered lightsabers, and the internal chassis that make them tick. The forums on his website, FX Sabers, are part of a thriving custom lightsaber scene, where designers, engineers, "sabersmiths," and DIY tinkerers all collaborate in the name of building the ultimate Star Wars movie prop.
For Murphy it started in 2005, when he was hit with back-to-back medical injuries and found himself unable to work, couch-ridden for more than a year. "One of the things I could do was get online," he tells me. At the time, the internet was still obsessed with the Star Wars prequel trilogy, and a company called Master Replicas had set a new standard for collectible sabers with primitive light-up blades and sound. "My son had found some pictures of the Master Replica things online, in this little dinky discussion forum where people were talking about stuff."


Michael Murphy in workroom

Michael Murphy of FX Sabers.
That "dinky discussion forum" was FX Sabers, and as Murphy and son bonded over lightsabers, he joined a community that was initially focused on helping owners repair and upgrade the licensed collectables. He quickly took on a more active role, eventually taking over the site entirely — that’s when he started going by "Master Yoda" — just as the community’s ambitions were beginning to grow.
At the time, hardcore fans had already been taking matters into their own hands for years. Connecting through sites like The Replica Prop Forum, people would break down precisely how movie props were built so they could recreate screen-accurate items for everything from Star Trek to Raiders of the Lost Ark. The same thing was happening with lightsabers, with some pioneering individuals going so far as to sell their own inspired-by designs or build replicas that were even more accurate than the licensed products. Murphy’s personal obsession, however, was the original Luke Skywalker saber, referred to in the community as The Graflex.

Graflex lightsaber collection
Three eras of Graflex lightsabers.
It’s important to remember that when George Lucas made Star Wars back in the ‘70s, it was a fairly low-budget film, and everything from the X-wings to the blasters were made from cannibalized model kits and other found parts. One of the items that the production had the hardest time nailing down were the lightsabers, until set decorator Roger Christian came across a box of camera flashes from the 1930s and ‘40s. The company that made them? Graflex.
The flash’s odd combination of metal swoops, curves, and clips instantly called to mind the retro-future aesthetic the film was going for. Christian stuck a strip of bubbles pilfered from an old Texas Instruments calculator into the flash’s clamp, added a D-ring at the bottom, and topped it off with some grips. That was the original lightsaber.

By the early 2000s, Star Wars disciples were tracking down old Graflex flashes to such a degree that they’d become notorious in the camera-collecting community, but those mostly ended up as bladeless hilts that would just sit on a shelf and look pretty. Murphy, however, was interested in taking the electronics from the latest toys and putting them inside the vintage flash for a replica that could be used for dueling or cosplay. Creating a screen-accurate vintage lightsaber complete with light-up blade and interactive effects demanded an internal system custom-designed for the 70-year-old antiques.
"It was something that was born out of my previous radio control car experience, where you need to have a chassis that can house your electronics," he says. "One night, about 3 o’clock in the morning, I was coming up with what I wanted to put in the hilt, and the Leaning Tower of Pisa was on The History Channel. And I said, ‘Well that’s what I need to do. I need to take all of my flattened [RC car chassis] ideas, and turn them into a cylindrical [system].’" The resulting combination of aluminum poles and plastic discs provided a rigid structure that protected and cushioned the electronics in the sabers — but most importantly for Murphy’s own contributions to the hobby, it would provide room for what is known as a crystal chamber.
I’m not going to lie: I’ve followed Star Wars since I was a kid, and when I first heard about crystal chambers they seemed a step too far even for me. According to official lore, lightsabers are powered by Force-infused crystals, and while they never appear in the movies there is a reference book known as the Star Wars Visual Dictionary that features a lightsaber cross-section. That design — complete with crystal chamber — is truly compelling, and feels ripped right from the fabric of the films. Using it as a general inspiration, Murphy created a vintage Graflex Luke lightsaber with removable blade and sound, that also featured a glowing crystal chamber. It was crude, assembled with a modified light-up tire valve stem, but it was a turning point in the community. It sold on eBay for $3,900, a huge bump over the roughly $800 worth of parts it was made from.
"It was the functional look of having something that tied the mystical aspect into the technological aspect," Alan Johnson, one-half of the husband and wife team behind lightsaber manufacturer Vader’s Vault, tells me over the phone. "People want to see that; they want to pull back the veil and see the mystical aspects to the technology. And when you see his early crystal chambers, they gave people that spark."

Michael Murphy crystal chamber photo

Murphy's original "crystal" was a light-up tire valve. (Photo courtesy of Michael Murphy)
Chambers have gone on to become one of the ways that artists and designers in the hobby distinguish themselves creatively, and it’s often the difference between high-end custom sabers — costing thousands of dollars — and cheaper "stunt" sabers that are meant to be bashed around. Today you can find anything from a 3D-printed chamber to intricate, hand-machined options, available in practically every style of lightsaber you can imagine. But over the years Murphy’s Graflex chamber has become his hallmark, evolving from that relatively primitive first design into its sophisticated modern incarnation that uses quartz crystals that have been drilled underwater so they can be lit up with a series of fiber optics. The work is stunning, in total aesthetic harmony with both the reference illustrations and the original trilogy itself. "Mike’s the progenitor of this whole thing," Johnson says. "Since then, a lot of people have done a lot more elaborate and detail-oriented crystal chambers, but his is still the classic. If you want to buy what it looks like in the Visual Dictionary, Mike Murphy’s Yoda Graflex is the way to go."

Crystal Chamber close-up

Murphy's current design utilizes a pair of drilled quartz crystals lit with a fiber optic system.
But meeting the needs of hardcore fans requires more than just design and lights. A lightsaber has to actually feel like it’s a working device pulled from that world, reacting to swings, movement, and clashes with aural and visual feedback that’s so familiar it’s burned into our collective cultural consciousness. At the same time Murphy’s designs were evolving, an engineer in France named Emmanuel Fléty was iterating on a motion-sensing sound and lighting system to solve that exact problem, setting a new standard for the custom lightsaber world.

Fléty, who goes by the pseudonym of Erv Plecter (online handles are still very much a thing in the community), works at the Institute for Research and Coordination in Acoustics/Music in Paris. Early in his career he became focused on creating low-latency, gesture-based musical interfaces for live performances, and when he got interested in making replica lightsabers his background was the perfect fit. "A lightsaber spun on stage is very close to musical expression, and you would expect it to react in real time just as if you were playing an instrument," he tells me over Skype. "There’s motion, there’s interaction, there’s latency. Obviously sound is a very big part of the lightsaber."
The soundboard is the heart of a modern custom lightsaber, powering the LEDs that illuminate the polycarbonate blade, tracking motion so it vrooms or clashes appropriately, and flashing the blade brighter when it hits another saber in combat. What first started as Fléty making a small batch of boards for the community has evolved into a mini-business, with a full line-up of Plecter Labs boards available ranging from $50 to $160 — even while he still builds the bulk of them in his basement (he recently added a production partner for US distribution). Using a lightsaber with one of his products is responsive and realistic, particularly compared to what’s available from Hasbro today. The lightsaber sound can change depending on the type of swing or angle of attack, the LED-powered blades can turn any color of the rainbow, and systems equipped with a microSD slot let users change sounds and tune everything from the sensitivity of the gyroscopic sensors to the flicker of the blade.

Crystal Focus board

The high-end "Crystal Focus" lightsaber sound board, created by Emmanuel Fléty of Plecter Labs.
With so many options and manufacturers, the learning curve is steep, and it’s up to the forum communities to protect those new to the hobby. Companies like Plecter Labs, Vader’s Vault, and the UK-based JQ Sabers have earned sanctioned homes in the FX Sabers forums, a model that’s spread to other online saber communities like Imperial Royal Arms. There, a recent run based on Luke Skywalker’s Return of the Jedi lightsaber took community collaboration even further with a cross-continental team-up that saw Michigan-based manufacturer Solo’s Hold joining forces with a French chassis designer and a variety of other manufacturers and installers throughout the US.
But despite the richness of the community, these are still manufacturers used to servicing a niche fanbase, and they’ve found themselves crushed under the weight of the new Star Wars renaissance. Vader’s Vault sold between 200-300 sabers in 2014, Alan Johnson tells me; that number jumped to 1,200 last year during the build-up to The Force Awakens. In 2016, the company hit 1,000 orders in the first two months alone. It’s a similar story across the hobby: Plecter Labs boards sell out in hours, while modular parts manufacturer The Custom Saber Shop is backordered on a vast majority of its stock. Meanwhile, renewed interest in the Skywalker saber specifically has caused vintage flash prices — which used to top out in the $150 range — to go through the roof. "Today a vintage Graflex flash on eBay will retail anywhere from $200 to $300 for something that’s really rusted and not something that I can convert, up to $1,000 for something that’s in pristine condition," Murphy stresses. "That’s just the flash itself." For completed, high-end sabers, there’s seemingly no limit at all, with Murphy’s most recent saber selling on eBay for over $15,000.
Murphy's latest lightsaber design sold for over $15,000 It may seem like Lucasfilm and Disney are leaving money on the table by not filling this crazy demand themselves — and to be sure, almost everyone in the custom-saber scene takes careful steps to make sure they don’t run afoul of any corporate interference. Their websites all point out that they are not affiliated with Lucasfilm in any way, shape, or form, and even someone like Murphy — who is simply modifying a physical item that was made 80 years ago instead of replicating an original design — is careful to refer to his creations as "FX sabers" or "illuminated sabers." But perhaps it’s just a case of Lucasfilm understanding that these hand-made items serve a market that a mass-produced product never could, because while the studio didn’t respond to a request for comment on this story, it has certainly relied on the custom saber community when it's suited its needs.

Michael Murphy auction Graflex

Murphy's latest system sold on eBay for over $15,000. (Photo courtesy of Michael Murphy)
Johnson says Disney Imagineering and Lucasfilm have reached out to him and other sabersmiths to pick their brains in the past — The Force Awakens actually used LED sabers on set, instead of the primitive metal rods in most previous films — and products from Vader’s Vault and budget manufacturer Ultra Sabers have shown up in official videos for Disneyland attractions. Foodles Productions Ltd., the production entity used to disguise The Force Awakens shoot, even turned to the fan prop-building world for sourcing parts. Several Graflex flashes were purchased (presumably for the rebuilt Skywalker saber that appears in the film), as well as the brand of antique flash gun that served as the basis for Darth Vader’s lightsaber. (According to sources, the production was also interested in some of the vintage parts used to cobble together Obi-Wan Kenobi’s weapon from the original Star Wars — Ewan McGregor fans hungry for a spin-off, make of that what you will.)
'The Force Awakens' bought lightsaber parts straight from the fans There’s beautiful symmetry to the idea that a film wanting to to return to the old-school way of doing things — like building props out of 80-year-old found parts — turned to the fans that never abandoned those principles to make it happen. For someone like Michael Murphy, The Force Awakens was a call to action. "I couldn’t get out of there fast enough. I was like, ‘Oh my god, I’ve gotta go to work!’" he laughs. With demand for vintage items now so high, multiple manufacturers in the custom-saber world are creating new Graflex flash replicas, so he’s turning his attention toward chassis kits that will allow fans, and other sabersmiths, to build their own Graflex lightsabers. Because while an auctioned saber may go for thousands of dollars, that path is inherently limited — not just due to the market size for something so expensive, but for the sheer amount of time it takes to create them in the first place. A DIY chassis kit, on the other hand, hearkens back to the RC cars that inspired Murphy as a young man, and provides a canvas for young builders to express themselves, instead. Or perhaps it’s something even more personal. As Murphy describes a customer that built a lightsaber with their child, I can’t help but think back to the events that originally brought him to the hobby in the first place: a bonding moment between a father and a son.
"People believe in The Force. People believe in Star Wars," he tells me. "I’m serving those fans, and it’s a noble service to be in. And hopefully we will be here as long as Star Wars. Until this becomes a galaxy a long time ago, far, far away."

domingo, 10 de abril de 2016

Daisy Ridley
Happy 24th birthday

Daisy Jazz Isobel Ridley (born 10 April 1992) is an English actress. She began her acting career by appearing in minor television roles, before being cast as the main protagonist, Rey, in the Star Wars sequel trilogy – first appearing in Star Wars: The Force Awakens (2015).
Daisy Ridley was born on 10 April 1992,in Westminster, London. She is the youngest of three daughters born to Louise Fawkner-Corbett and Chris Augustine Ridley. She has two older sisters, Kika Rose and Poppy Sophia. She also has two older half-sisters from her father's first marriage.Her great-uncle was Dad's Army actor and playwright Arnold Ridley. She won a scholarship to Tring Park School for the Performing Arts in Hertfordshire, which she attended between the ages of 9 and 18. She then began to study classical civilisation at Birkbeck, University of London before dropping out to concentrate on her acting career.
Ridley began her career with minor roles in the television programmes Youngers, Toast of London, Silent Witness, Mr Selfridge and Casualty.She also appeared in the short film Blue Season, which was entered into the Sci-Fi-London 48-Hour Film Challenge.Ridley played the lead in film three of Lifesaver, an interactive film which was nominated for a BAFTA Award. She has also appeared in the music video for Wiley's song "Lights On".
In April 2014, Ridley's casting as Rey, one of the lead characters in Star Wars: The Force Awakens, was announced.[9][10][11][17][18] She was chosen for the film in February 2014.[19] Her choice by director J. J. Abrams was seen as a repeat of George Lucas's move of casting relatively unknown actors for the lead roles in the first Star Wars film in 1977.[20] At the time of her casting she was, according to Rolling Stone, a "total unknown".[21] In October 2015, Ridley appeared at the launch of a set of Star Wars postage stamps issued by the UK postal service Royal Mail, with Ridley's character Rey featuring on a stamp along with the droid BB-8. With international revenues of over $2 billion,The Force Awakens was a major box-office hit and the highest-grossing film of 2015. After an early screening of the film, Brian Viner of the Daily Mail called Ridley the "real star of the show", adding that her performance as Rey should "send her career into orbit". Her performance received critical acclaim, with Richard Roeper describing her portrayal as "a breakout performance".

Ridley voiced the lead role of Taeko in the English dub of the 1991 animated film Only Yesterday, released on 1 January 2016 in New York City and scheduled for release throughout the US on 26 February.She will also continue her role as Rey in Star Wars: Episode VIII,which is scheduled to be released in December 2017.


Art of Film Creates a Spectacular Video on The VFX of Star Wars: The Force Awakens


SD
The guys over at Art of the Film, an ongoing series of videos celebrating movies, have taken scenes from various Behind The Scenes, On The Set videos and Featurettes and have put together a spectacular video on The VFX of Star Wars: The Force Awakens.
Check it out!



The video shows a visual effects breakdown of the sequence in “The Force Awakens” where Rey and Finn escape Jakku in the Millennium Falcon.




Another video at their website shows a featurette titled ‘The Sound of Star Wars’ that takes the viewer on quick watch and listen while highlighting the sound design from all 7 films.



See more about Star Wars: The Force Awakens visual effects and sound design by purchasing the film on Blu-ray, DVD or digital HD download.

SWNN Giveaway & Review – Entertainment Earth’s Exclusive Star Wars: The Black Series Imperial Forces 6-Inch Action Figures.


Entertainment Earth
Just a day after our TFA Blu-ray release contest, we have another surprise for our readers. An associate of mine (who we’ll call “Poseidon”) is guest-writing an article today, bringing you guys a review of an exclusive set of Star Wars: The Black Series toys from Entertainment Earth called “Imperial Forces”. In addition, we’re giving one of you a shot at getting a brand new set as a gift.


First here’s a brief review of the set. For the giveaway contest scroll down to the bottom of the article.

Loaded with accessories and articulation, this four-figure set of Imperial goodness is Entertainment Earth’s first exclusive in Star Wars: The Black Series 6-inch line. These three Empire-loving figures and a droid are ready to be played with or proudly displayed, so let’s dive right in.

Sand Trooper On Station
Sandtrooper Sergeant
Well done, Hasbro! The Sandtrooper Sergeant, a Black Series debut, has accessories galore, an excellent paint job, and a whole bunch of articulation. Sandtrooper Sarge has articulation at the neck, shoulders, biceps, elbows, wrists, upper torso, legs, knees, and ankles; many of these are swivel joints. He also wears a white shoulder pauldron, designating his rank, and his accessories include a large backpack, a rifle, a blaster, and a grenade launcher. The survival pack can either be worn on the Sergeant’s back or not; the figure looks good either way.

Sand Trooper Back
The 6-inch Sandtrooper Sergeant mirrors his movie counterpart very well, and all that extra articulation gives him a wide range of poses. But where Hasbro really did a fine job on this figure is with the paint. Like most Sandtroopers and Stormtroopers, the Sergeant is mostly a mixture of white and black paint. It’s the overall sand-colored wash that adds a lot of detail and texture to this figure. There’s sand gathered in the crevice of his chest plate, sand around his knee, sand on back of helmet. Someone paid a lot of attention to this figure’s paint job; even the weapons are painted a range of black, silver, grey and olive. Most impressive!

Sand Trooper Arsenal
The packaging describes Sandtrooper Sergeant as follows: “Imperial Sandtroopers carry out the will of the Emperor in the harsh, arid environments of the galaxy’s desert worlds.” Little known fact about the Sandtroopers…. They never complain about the sand. They don’t gripe about it being coarse and rough and irritating and getting everywhere. They just get out there in the sand and do their damn jobs. No wonder the Emperor likes them.

Crimson Trooper On Station
Crimson Stormtrooper
The Crimson Stormtrooper is making his debut as a toy for the first time ever. That’s right, this bright red Stormtrooper has never been immortalized in plastic in any size, not just 6 inches. So, welcome to the world of action figures, Crimson Stormie! Like the Sergeant Sandtrooper, Crimson Stormtrooper features a great deal of articulation. He has articulation at the neck, shoulders, biceps, elbows, wrists, upper torso, legs, knees, and ankles; many of these are swivel joints. Crimson Stormtrooper can also share the Sergeant’s backpack, if you want to shake things up and teach your toys how to share. One difference between the two Troopers is that our Red Friend has a working holster for his blaster. Crimson Stormtrooper also arrives with a nicely-textured black and silver rifle.
Another big difference between the two super Troopers is the Crimson Stormtrooper’s paint job. It is a brilliant, shiny crimson red with not a speck of the weathered wash that made the Sandtrooper Sergeant such a standout. So, Crimson Stormtrooper may not have seen much action yet, but hey, he’s a red Stormtrooper you don’t have yet, and overall he’s pretty cool looking. He looks like he’d be right at home in Crimson Empire.

Crimson Trooper Crouching
The packaging describes Crimson Stormtrooper as follows: “Specially trained for operations in the extreme temperatures of volcanic areas, these crimson-clad Stormtroopers stay cool in the heat of battle.” Let’s just hope if Crimson Stormtrooper picks any fights to the death with a former lifelong friend next to a volcano, he sticks to that higher ground. Just saying.

TIE Pilot On Station
Lieutenant Oxixo
Lieutenant Oxixo may be an ill-fated TIE Fighter Pilot from the Star Wars Expanded Universe (or Star Wars Legends), but looking at this 6-inch action figure reveals once again what a bad-ass character design this is. Painted almost exclusively with a mix of glossy and dull black paint, this figure also features a few silver and black details along with a few spots of blue and red on his chest plate instruments. Even today, almost 40 years after we first saw A New Hope on the big screen, the TIE Fighter Pilot is an awesome mix of menace and mystery. And Hasbro does a superb job capturing that with the 6-inch Lt. Oxixo.
As far as articulation, Lieutenant Oxixo can move at the neck, shoulders, biceps, elbows, wrists, upper torso, legs, knees, and ankles; many of these are swivel joints. Like Crimson Stormtrooper, Lieutenant Oxixo has a blaster and a working holster. The tubes from his breathing apparatus disconnect from his helmet, but not from his chest plate. Like the Sandtrooper Sergeant, Lieutenant Oxixo is a Black Series debut.

TIE Pilot Running
The packaging describes Lieutenant Oxixo as follows: “Lt. Oxixo piloted one of the four TIE Fighters shot down while pursuing the Millennium Falcon during its escape from the Death Star before the Battle of Yavin.” Sadly, Lieutenant Oxixo, we hardly knew you, but you still make one impressive action figure.

R2-Q5 Moving
R2-Q5
This primarily black astromech droid features silver and rust paint details, and Hasbro has done an excellent job bringing R2-Q5 to life for its 6-inch line. Based on a droid featured in the second Death Star in Return of the Jedi, this latest toy version bears a solid resemblance to its screen image, and the droid also pairs nicely with its other Imperial Forces companions. R2-Q5 has articulation at its feet, legs, dome, and its middle leg, which can be extended down from the body by turning the droid’s dome. (Nice touch.) Overall, R2-Q5 has six points of articulation, which I have to point out is one more than what most of Hasbro’s main 3.75 action figures currently feature. (Not that we collectors are bitter at the limited articulation in Hasbro’s signature toy line… wait, what am I saying? Of course, we’re bitter! Come on, Hasbro, let’s get rid of those goofy non-Star Wars accessories and put some more articulation and better paint into the 3.75 line, a world-famous line of toys that has been around for almost 40 years! OK, sorry, end of rant.)
Most fans are thrilled when Hasbro puts out another droid or alien, so kudos to Hasbro for producing an Imperial droid in its 6-inch line. The semi-glossy black paint is sharp-looking, the silver and rust-colored details are applied perfectly, and the wiring at R2-Q5’s foot joints is a dirty gold color and the wires themselves are somewhat pliable. R2-Q5 is also a Black Series debut.

R2-Q5 Back
The packaging describes R2-Q5 as follows: “Entrusted with the secrets of the Emperor himself, this Imperial R2 unit once thwarted a plot to turn every droid aboard the second Death Star against the Empire.” So there you have it…. R2-Q5 is a sharp-looking Imperial droid who is also a hero…. from a certain point of view.

Sharp Group Shot
Overall, this gift set from Hasbro and Entertainment Earth offers a great combination of Imperial characters loaded with awesome articulation, excellent paint jobs, and solid accessories. To find out more about other exclusives from EE, go HERE. For other Star Wars products go HERE. We’ll also be giving this set away to a lucky reader (as Entertainment Earth was kind enough to give us two copies), so be sure to stay tuned to SWNN for more details.